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Also known as “waterless toilets”, “dry toilets” and “biological toilets”, the composting toilet is actually a toilet with the main goal of breaking down human waste into humus, a substance that resembles soil, rather than flushing it down the sewer system where vast amounts of chemicals and water are used to do what nature does naturally.

My first compost toilet was one of these fancy shmancy $2000 units. It lasted 3 months. Before purchasing a different style I decided to take what I know of Anaerobic decomposition of organic matter and put it to the test building my own compost toilet. That was over 10 years ago and I still have the same toilet. That’s longer than most people own conventional toilets for.

I’ll show you step by step how to make 2 very simple styles of home composting toilets, which operate better, cleaner and will last longer than any model on the market today for a tenth of the price.

• Sales Rank: #361574 in eBooks
• Published on: 2010-03-02
• Released on: 2010-03-02
• Format: Kindle eBook

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31 of 33 people found the following review helpful.
Needs some revision...
By S. H. Summers
I hesitate to be too critical of a book like this, for several reasons:
1. It's a self-published work (though an editor would be very helpful for the next revision)
2. It's only 4.99
3. It's on a "green" topic, which I want to encourage

I have a few minor nits, such as the usual grammatical errors, pictures that display oddly on the Kindle (with large areas containing highlights that display as black), etc., but I'll primarily stick to the main things that I personally would have liked to have been apprised of before buying this product myself. Hopefully this helps someone.

Firstly, there is not much content germane to the topic at hand. It's hard to say how many "pages" of content there are when using the Kindle, but the first fully 50% of the book covers general green topics such as climate change, definitions of alternative energy and its sources, the author's alleged resume, advertisements for the author's other titles, etc. Then, the closing 10% of the book is similar advertising for the author's other pamphlets and services, another discussion of his resume (there is a continuing claim to be a "retired" aerospace engineer...at age 25, LoL. Sorry, but if you're that age you didn't retire, you just quit your job.) So in all, the actual useful content of the book is only about 40%. Personally, I wouldn't have been upset if the rest of the information had been cut out, and the book was just made shorter; however, there is at least a bit more content that could be added, which would help alleviate this anyway, as I suggest next.

There needs to be some references to suppliers...for one critical part in particular. The entire design hinges on the use of a special funnel-like device to separate liquids from solids, called a urine diverter. It's actually somewhat comical, in that the author laundry-lists all the supplies that are needed, and the vast majority really are common hardware, but stuck in the middle of this mundane list is "urine diverter"...as if you could find such as item just anyplace. Actually, my quick internet search only revealed one supplier for the item - in the UK, and not particularly cheap, either. Providing some supplier information, as well as some alternative designs for making your own diverter (out of a large funnel perhaps, or an upside down, thick plastic jug, or...?) would be helpful, and would add a lot to the usefulness of the remainder of the content, given that the project cannot be built without this item. More information on the type of storage buckets to use would also be handy; there is no way that a normal 5 gallon bucket is going to fit in the height provided by the average chest cooler.

Lastly, in actual fact, the design is not in the truest sense, a composting toilet...there is no special characteristic that makes it so, (such as heating, drying, rotating, etc. It is closer in design to Joseph Jenkins' "sawdust toilet" which he does not claim to be composting per se, but rather a part of a larger composting system. Jenkins literally wrote the book on this subject The Humanure Handbook: A Guide to Composting Human Manure, Third Edition, and has been refining the process for over thirty years. The main difference in the design is the diverting of urine...Jenkins says not only is this not necessary, but it is not recommended. I'd say the main reason for diverting urine in this design is because storage buckets are not removed from the container immediately, whereas in Jenkins' design, they are removed when full, and either temporarily stored elsewhere, or just put immediately in the compost pile where the actual composting occurs. This is a critical part of the process, since the intense heat created in the larger pile (>160 degrees), is vital to ensure that any harmful bacteria are killed during the process.

Anyway, to sum up, I do think that if you are interested in this topic, the author has something useful to say with his design; maybe even five dollars worth. I actually hope that he'll read this review and consider making a couple of the changes I suggest, which I believe would greatly improve the product, and hopefully lead to greater income for himself, and a better "conversion rate" in the form of follow-through for the purchaser.

**Edit - 19 Sep 12. Just wanted to add that the author advertises that he details two different composting toilet designs in this book...this is stated in the Amazon write-up, as well as in the book itself. Alas, only a single design is discussed in any way. This is an oversight, I assume, but given the slim content of the book to start with, a second design would not only fulfill the advertised promise, but also make the purchase price more worthwhile.

12 of 14 people found the following review helpful.
This is a necessary book for the self-sufficient home owner.
By MarvinC
Succinct, but very usable, How to Build a Compost Toilet is a Do It Yourself manual that teaches us how to conserve energy and eliminate utility costs. A compost toilet can be built with simple items from your workshop, things just lying around gathering dust. An ice chest, a couple of buckets, rubber tubing, a jigsaw, all supplies we use every day, will build a renewable source of compost with little odor or mess.
How to Build a Compost Toilet gives detailed illustrations with photos and step-by-step instructions to a functional, practical solution to composting and eliminating physical waste. Easy to construct, a compost toilet is a necessity for those wanting to economize and be earth-friendly at the same time. If you want to decrease your energy usage, help the environment, and be self-sufficient from the power companies, use these instructions to build a compost toilet for your family. This book demonstrates how to decrease your dependency on utility companies and increase your self-reliance and independence from another debt.

2 of 2 people found the following review helpful.
blah blah blah
By Kindle Customer
If the book's title is about composting toilets, one would think it would be the main subject. This book needs a table of contents so one can skip to building a toilet. It is my understanding composted human waste should not be put on veggies due to heavy metals and parasite potentials. Not sure if garden in this book means flowers or veggies. I wouldn't take the risk of putting it on my food crops. Flower garden use would be good. There is definitely some exaggeration going on in the book. Pretty sure drilling 100,000,000 holes is not even possible for a diy project.

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• Sales Rank: #1905771 in eBooks
• Published on: 2010-11-11
• Released on: 2010-11-11
• Format: Kindle eBook

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3 of 4 people found the following review helpful.
Scam
By Amazon Customer
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• Sales Rank: #2043892 in eBooks
• Published on: 2012-03-28
• Released on: 2012-03-28
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A must buy!!!!

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The Clark family’s story begins with the immigration of John Clark from Liverpool, England and his marriage to Hannah Madigan, an Irish immigrant. Shortly after their marriage in 1866, John Clark obtained employment in a cutlery in Greenfield, Massachusetts and thus began his family’s long history in manufacturing silverware. Their quest to find a better way of life led the family to Buckland and eventually to Bay State Village in Northampton, where three generations of the family lived and worked. While the cutlery industry provided John and Hannah with the means to support their family and purchase a home, the culture of the manufacturing village created challenges and hardships for subsequent generations. War, the Depression and personal tragedies continually beset this family. However, their fortitude and strong faith in God enabled them to continue to move forward. The True Story of the Clarks (1837-1955) is an intimate glimpse into the lives and times of one family whose livelihood depended upon a local industry. Their experience was common to millions of immigrants of all ethnicities. The True Story of the Clarks (1837-1955) is told through interviews with family members, photographs, letters, research in public records and local historical accounts.

• Sales Rank: #3470184 in Books
• Published on: 2015-07-14
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .58" w x 6.00" l, .76 pounds
• Binding: Paperback
• 232 pages

About the Author
Elizabeth Anne Banas is genealogist and writer. Elizabeth specializes in research in Hampden, Hampshire, Franklin and Berkshire counties in Massachusetts. She also offers research services in Hartford County, Connecticut. She resides in the quaint community of Belchertown, Massachusetts with her husband George H. Banas. She is a member of the National Association for Professional Genealogists, The New England Association for Professional Genealogists and the National Genealogical Society. You can learn more about her by visiting E.A. Banas Genealogy services at eabanasgenealogyservices.com

Most helpful customer reviews

0 of 0 people found the following review helpful.
A true tribute to my great grandfather and my grandfather
By Cathleen Smith
Written so it flows and maintains the reader's interest. A true picture of many people who immigrated to the U.nited States during this period. A true tribute to my great grandfather and my grandfather. I wish I could have known them. And a nostalgic rememberance to my Dad whose three daughters loved him very much.

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Collection of historical, theoretical and applied articles on the ethical considerations in the treatment of animals by human beings.

• Sales Rank: #302969 in Books
• Published on: 1989-02-18
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .60" w x 6.00" l, .80 pounds
• Binding: Paperback
• 288 pages

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Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities.

This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice.

Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.

• Sales Rank: #189618 in eBooks
• Published on: 2015-06-17
• Released on: 2015-06-17
• Format: Kindle eBook

Review

"Clearly formulated starting points engage the reader in more challenging concepts and interesting lines of enquiry, contextualising the many perspectives surrounding each topic. This well researched treasure chest of quotes, references, and examples illustrates an insightful text which the author, himself with decades of experience as a transcontinental practitioner, has enriched with personal reflections that in turn allow the reader to do the same."-Natasha Barrett

Curtis Roads' book is a kind of prism that reevaluates the field of music composition in the light of the new technologies of the 21st century. He builds a thousand bridges between different approaches to attributes like pitch, rhythm, time scales, and even sonic narratives in order to help us to understand present music practices." -Horacio Vaggione, composer, Professor Emeritus, the University of Paris VIII

"A rich and enjoyable survey for the computer musician, ranging from the objects of compositional manipulation to the performative aspects of the shaping of sensory experience. This book will be of interest not only to the electronic music composer, but also to the performing musician, and the general reader interested in the process and principles of musical design." -Elaine Chew, Professor of Digital Media, Queen Mary University of London

"[I]f you want a great overview of just about any aspect of the field of electronic music, you'll find it in this book. Clearly written, with a minimum of mathematics, it's the kind of book you can refer to time and time again."--SoundBytes

About the Author

Curtis Roads is a composer and researcher who teaches electronic music composition at the University of California, Santa Barbara. He co-founded the International Computer Music Association and served as an editor/associate editor of Computer Music Journal for 23 years. The author of numerous books, his electronic music set POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica.

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3 of 3 people found the following review helpful.
A worthy contribution to the ways in which we hear, perceive, and talk about sound
By Saltillo
Overall, an excellent, clear, concise discussion of the aesthetic elements that drive most (but not all) manifestations of the use of electronic equipment to generate sounds in ways that are intended to be received as "art." Professor Roads tries to cover a lot of ground here: the history of the practices, audio examples (from the companion website) to hear what he is discussing, as well as general areas of intellectual, scientific and artistic concern for people engaged in these practices. For me, personally, the most important aspect of this book is its contribution to the formation of a fundamental vocabulary and set of discursive conventions for talking about electronic music. Let me clarify: I honestly believe that there is no "self-evident" art. We all need to be assimilated into discursive traditions concerning art and it is through that assimilation that we are taught how to perceive, understand and communicate our experience of art. One does not simply go to a Shostakovitch symphony and understand what one is hearing and why it is worth listening to. One does not simply walk into the Prado museum and see some old Hieronymous Bosch painting and know what is significant, relevant, valuable, and pleasing about it. In the case of electronic music practices, the challenge is profound. It is a practice that has emerged before we have developed a common set of discursive practices that allows your average listeners to appreciate it, talk about it, communicate what their hear or perceive and what opinions they may have about it. Most of us are left with some degree of residual "baggage" in our discourse - whether it is inherited from immersion in the traditions of European 12 tone orchestral or chamber composition, or the traditions of pop and rock music - that misguides our ability to make sense of what we hear when we attempt to listen to electronic music. Professor Roads has done a masterful job of helping to frame the discussion in this regard, giving us a set of "canonical" terms, concepts, and ways of describing what is happening to the sounds we hear that allows us to engage in a true praxis of participation in the aesthetic experience.

Unfortunately the book is not without its short-comings, most of which Professor Roads seems to be aware of, but which nonetheless detract somewhat from the book. The first and most thorough and pervasive is his fetishistic attachment to the concepts of "composition" and "composer." These concepts are useful of course. But I would argue they are far more useful in the realms of pre-electronic and non-electronic music. Within electronic music there are many ways in which the very concepts of "composition" and "composer" are undermined, subverted, and in some instances become irrelevant and meaningless. And yet for Professor Roads, an employee of the university as an institution, locked into a series of institutional norms and conventions that demand his acceptance, the idea that people are still "composers" engaged in "compositional practices" in the domain of electronic music remains natural and sacrosanct. I believe the idea of an aesthetic of electronic music must take into account the myriad ways in which this fetishized concept becomes "de-naturalized" by electronic musical practices.

Another shortcoming is Professor Roads's intentional and complete dismissal of the question of "live performance" as an element of electronic music praxis. He is painfully away of this short-coming, and offers an apology early on in the book. Unfortunately his apology is along the lines of "I know some people think live performance matters. Historically it did not in the early pioneer days. And my personal practice is so deeply tied to the idea of acting as a 'composer' making 'compositions' in a studio, that I have no experience with, familiarity with or authority to speak on the topic of live performance." I find this apology deeply dissatisfying. Its like someone writing a book about jazz and saying "I do not discuss improvisation in this book because I exclusively work as a composer and songwriter and therefore since I never actually play jazz, I have nothing to say about improvisation as an element of the jazz aesthetic." Well pardon me, but doesn't that miss one of the fundamental points of trying to describe the aesthetic of jazz in the first place? Likewise, much could - and should - be said about the unique ways in which performance is itself an element of the aesthetic. And it is not - as Professor Roads seems to believe - simply a matter of discussing the virtuosity of playing a synthesizer on a stage in real time. There are many layers to the question of performance that never even arise in the context of non-electronic or pre-electronic music, where there is a sharp conceptual and practical distinction between "composition" and "performance" (the latter being understood in the traditional paradigm as simply a "translation" of the pre-planned instructions into the actual creation of sound). If jazz improvisation taught us anything, it was that such a distinction is problematic. In the world of electronic music, things of course become even more interesting. For example, what should one make of - and is there anything to say for - forms of practice like when Swedish electronic music duo Minilogue recorded its 2013 album "Blooma" as a series of recorded "live performance" jam sessions from which they were able to extract enough particularly pleasing, note-worthy moments that could be compiled as "tracks" onto a CD? Some of the actual "live performance" footage as well as videos explaining the equipment set up - in general terms - was put onto youtube and profiled on the website of ableton, the makers of the software used by Minilogue to make the album. And more generally, what can be said about the phenomenon of the rise of the "DJ" or the emergence of "DJ" culture today? It is not uncommon to see artists like Julien Bayle share the stage at music festivals with performers with names like "Dillon Francis" and or Kaitlyn Aurelia Smith perform at Denmark's Roskilde Festival. And whither the DJ? I have been told - not sure if true - that the "Goa" music that eventually became known as "trance" was invented by DJs like Goa Gil at hippie parties in Goa India in the 1980s using techniques of tape splicing and tape looping - the exact same techniques pioneered by Pierre Schaeffer decades earlier in a workshop in France. At what point does that phenomenon become worthy of acknowledgement and discussion? At what point does the craftwork of a Sasha or John Digweed or Bassnectar or Skrillex become something that a true aesthetic of electronic music needs to recon with, whether for good or for bad?

This last comment brings me to the last and final shortcoming I found in Professor Roads's treatment: his sometimes unreasonably elitist dismissal of much of electronic music today as mere "pop music". This is problematic for several reasons. First it reflects another residual paradigm he has inherited from a pre-electronic/non-electronic musical aesthetic and his position as an academic professor of music: I am referring to the "high brow" / "low brow" mindset that pervades so many aspects of our contemporary cultural practices. Although he tries to defend his perspective early on in an end-note, Professor Roads basically takes the approach of focusing his discussion on performers and pieces of music that he deems worthy of discussion, and broadly dismisses much of what he ignores or passes over as "pop music" without specifying who or what he actually considers to be "pop music". It leaves one wondering: if he didn't mention a certain person or a certain work, is it because he just didn't have time or space to cover everything, or because he genuinely considers it beneath him to discuss such because it is mere "pop music" (which seems to be his preferred pejorative for anything he considers too low-brow for treatment in a work like this). Although this attitude only shows up sporadically, and by no means did it prevent me from being enormously impressed by this book, it happened often enough to become a mild on-going annoyance. And I don't say that just because I like "low brow" electronic music. On the contrary, I think Professor Roads is missing a major aspect of electronic music that is unique and significantly different from non-electronic, pre-electronic musical practices by allowing this elitist high-brow/low-brow mindset to color his perspective on electronic music itself. Namely this: the distance between the "high brow" of electronic music (that Professor Roads purports to speak for) and the "low brow" (of which he chooses not to speak) is much shorter than is the case in non-electronic/pre-electronic music and much shorter than Professor Roads believes. In writing a book on traditional European music theory, an author might be hard-pressed to avoid mentioning the name "Bach" anywhere in the text; but could quite easily get away with avoiding any mention of "Beatles" or "Lennon/McCartney". Such a schism is harder to sustain in speaking of electronic music. Let me be more specific: many, if not most, of the practices and techniques described in Chapter 4 (Creating Sound Materials), Chapter 5 (Sound Transformation), Chapter 6 (Processes of rhythm) chapter 7 (pitch in Electronic music), Chapter 8 (articulating space), chapter 9 (multiscale organization) and chapter 10 (sonic narrative) are routinely employed by creators of what Professor Roads would dismiss as "pop music". One can learn to hear and identify when listening to many of the most accomplished and serious producers of the many forms of dance-oriented electronic music examples of many of the topics emphasized in this book. The Table 5.1 on pages 132-134 of the book is essentially a list of the bread-and-butter tools of the trade for sound transformation in electronic music, whether for the lowest brow "pop music" maker or for those whom Professor Roads views and holds in esteem as his peers. This is not to say I question Professor Roads' choice of sound examples on his companion site. On the contrary - I think he has done a very good job of finding and hand-picking specific examples that very effectively illustrate the points he wants to make. I am simply saying, for someone who is interested in electronic music on its own terms, as a true "new aesthetic", there is far more being done that is interesting and of note and worthy of attention in the non-academic, allegedly "pop" side of things.

Overall, however, regardless of where one's preferences and tastes lean in listening to electronic music, what is truly to be admired by Professor Roads's work, is the way in which it frames basic issues and gives us all a common ground for listening to and talking about this phenomenon in a way that is a meaningful contribution to the advancement of defining such a "new aesthetic".

0 of 0 people found the following review helpful.
Definitive book on a new aesthetic of electronic music
By John_G
Dr. Roads, who teaches computer music research, obviously knows his stuff. The book is a well-written discussion of a new aesthetic of electronic music. It could become THE Text Book on the Subject. Text is written at college-level comprehension.

0 of 0 people found the following review helpful.
This book is a survey of aesthetics and techniques used ...
By William T. Bajzek
This book is a survey of aesthetics and techniques used in electronic music of all sorts. It's very academic and dry, but very thorough and informative.

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The sensuous sixth story in national bestselling author Lisa Cach’s passionate Fifty Shades of Grey meets Game of Thrones series about a young Roman Empire slave who, after being tutored in the sexual arts by her king, runs away to save her life.

Once trained in the carnal arts to be the king’s concubine, Nimia has a prophetic gift that is triggered by her sexual encounters. Finally free, she forsakes the powerful men who have used her gifts for their own gain. As her sexual adventures continue, she searches for true love—and for her people, the Phanne, from whom she was originally stolen.

• Sales Rank: #495034 in eBooks
• Published on: 2016-01-25
• Released on: 2016-01-25
• Format: Kindle eBook

About the Author
Lisa Cach is the national bestselling, award-winning author of more than twenty books, including Great-Aunt Sophia’s Lessons for Bombshells, available from Gallery Books. She has taught creative writing aboard the ship MV Explorer from the Amazon River, to Morocco, to St. Petersburg, Russia. When not sailing the high seas she can be found digging for clams in the sandy mud of the Puget Sound or dealing cruelly with weeds and snails in her garden. She’s a two-time finalist for the prestigious RITA Award from the Romance Writers of America, which doesn’t make it any easier to explain to her neighbors that she writes erotica. Visit her online at LisaCach.com.

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1 of 1 people found the following review helpful.
A different perspective
By Linda
Well having not read any of these books I gotta say it was very easy to catch up to the story. Nimia is a different kind of person, she is a Phanne, and with that comes a great deal of power. In order to achieve that much power she must be in lust and use it to gain control of things. Maerlin is one of her kind and he is in love with her and she is in love with Arthur his brother. This book is similar to the stories of the Knights of the round table and the coming of the sword. Nima has been through a great deal and even though she is in love with Arthur she thinks they may have a chance at happiness even though he is mortal. Terix is her friend and he is also in love with her but he does help her to join Maerlin to bring on the winds that they need to melt the steel to make the sword which they will call Skalibur. In order to make the winds they must let each other act out their deepest darkest sexual fantasies but as the seas roll and the wind she worries about Arthur and Maerlins sister who is on the seas and she stops the process but not before Arthur sees her nakedness and his naked brother. It gets really juicy from here so before I give anymore away I will just say if you like the Knights of the round table or King Arthur stories it's a great book to have.
Reviewed on behalf of Once upon an Alpha

0 of 0 people found the following review helpful.
Four Stars
By Laurence J. Marron
GREAT

0 of 0 people found the following review helpful.
Good book but very disappointing ending!!
By Kellie
Disappointing ending!! All the books had you going to her meeting her mom and possibly meeting a guy that she could be with and she ends up alone and never meets her mom. It was good until then however.

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• Sales Rank: #1432717 in Books
• Brand: Brand: ASTD Press
• Published on: 2013-06-16
• Original language: English
• Number of items: 1
• Dimensions: 9.47" h x .58" w x 7.58" l, 1.10 pounds
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

About the Author
Jack J. Phillips, PhD, is chairman of the ROI Institute and a world-renowned expert on measurement and evaluation. Phillips provides consulting services for Fortune 500 companies and workshops for major conference providers worldwide. Phillips is also the author or editor of more than 100 articles and 75+ books, including Measuring the Success of Leadership Development: A Step-by-Step Guide for Measuring Impact and Calculating ROI (ATD Press). His work has been featured in the Wall Street Journal, Bloomberg Businessweek, Fortune, and on CNN.
Patti Phillips is president and CEO of the ROI Institute and is the ATD Certification Institute's 2015 CPLP Fellow. Since 1997, she has worked with organizations in more than 60 countries as they demonstrate the value of a variety of programs and projects. Patti serves on the board of the Center for Talent Reporting, as Distinguished Principal Research Fellow for The Conference Board, and as faculty on the UN System Staff College in Turin, Italy. Patti has written and edited numerous books and articles on the topics of measurement, evaluation, and ROI. Recent publications include Measuring the Success of Leadership Development, Making Human Capital Analytics Work, Measuring the Success of Learning Through Technology, Measuring the Success of Organization Development, and Measuring Leadership Development: Quantify Your Program's Impact and ROI on Organizational Performance.
Bruce Aaron, PhD, has more than 20 years of program evaluation experience, and has presented at international conferences of organizations such as ASTD, ISPI, SALT, AERA, FERA, EERA, AEA, and The Psychometric Society. Aaron has authored or co-authored dozens of presentations, articles, chapters, and books, including Isolation of Results: Defining the Impact of the Program with Jack Phillips, and a chapter for The ASTD Handbook of Measuring and Evaluating Training.

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0 of 0 people found the following review helpful.
Another great book from the ATD "Basics" series.
By KWM
Another great book from the ATD "Basics" series. I own several and you can't go wrong with these books. Great price and just enough info to get you going in the right direction with your training and organizational development projects.

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[S357.Ebook] Ebook Theories and Applications of Plate Analysis: Classical Numerical and Engineering Methods, by Rudolph Szilard

Ebook Theories and Applications of Plate Analysis: Classical Numerical and Engineering Methods, by Rudolph Szilard

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Theories and Applications of Plate Analysis: Classical Numerical and Engineering Methods, by Rudolph Szilard

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This book by a renowned structural engineer offers comprehensive coverage of both static and dynamic analysis of plate behavior, including classical, numerical, and engineering solutions. It contains more than 100 worked examples showing step by step how the various types of analysis are performed.

• Sales Rank: #3830966 in Books
• Published on: 2004-01-02
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 2.40" w x 6.50" l, 3.60 pounds
• Binding: Hardcover
• 1056 pages

Review
"...clear and given in an understandable manner...recommended to practicing engineers..." (Zeitschrift Fur Angewandte Mathematik Und Mechanik, 2006)

From the Back Cover
A comprehensive reference for plate behavior analysis

Theories and Applications of Plate Analysis is a unique, comprehensive volume covering static, dynamic and elastic stability analysis of plates. This valuable book addresses a large spectrum of plate problems and their analytical, numerical, computer-aided and engineering solution techniques. This book includes more than 140 descriptive, worked-out examples, making this text and reference book extremely useful in academic and professional environments.

Utilizing SI units throughout, all mathematical tools are clearly and systematically developed within the book (with an understanding of differential-integral calculus and matrix algebra) to work with such topics as:

• Classical, numerical, computer-aided and engineering solution techniques
• Linear, nonlinear and moderately thick plate problems
• Finite difference and gridwork methods
• Finite element and finite strip methods
• Computer-based plate analysis
• Yield-line methods
• Free and forced vibrations of plates
• Elastic stability analysis

Complete with a helpful CD-ROM containing 170 readily usable plate formulas and a user-friendly finite element program system, WinPlatePrimer, for static and dynamic analysis of real-life plate problems, Theories and Applications of Plate Analysis is a handy, must-have book for practicing engineers and graduate students in the fields of civil, mechanical, aeronautical, marine, architectural and mining engineering.

About the Author
RUDOLPH SZILARD, Dr.-ING., P.E., is Emeritus Professor of Structural Mechanics at the University of Hawaii, and retired chairman of the Structural Mechanics Department at the University of Dortmund, Germany. His long and illustrious career in both academia and in the professional practice of engineering includes serving as a senior structural engineer with the noted firm of Ammann and Whitney, as well as authoring numerous scientific papers and eight books on structural mechanics. Dr. Szilard was the recipient of a "Senior Fellowship Award" by the A. von Humboldt Foundation, Germany.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Review of the titled "Theory and application of plate analysis -Classical and Numerial Methods "- by Rudolph Szilard
By Indrajit Chowdhury
Author has collected a significant array of various plate problems and presented them in one literature which is surely a very commnedable effort.

Engineers and Scientists working in the area of various plate problems would find this literature of immense help, wherein they will not have to rummage through various publications to find out typical solution to the problem he is looking for.

However it is felt that some of the basic derivations( specially the classical part) are a bit too brief and further elaboration could have benefitted specially those, who are new to the topic and not so comfortable with fourth order differential equations related to the plate.

An elaboration( even a brief one) on Dynamic response of plates on elastic foundations and some of the work carried out in this area by Thomson and Kobori, G.Warburton to name a few would have made the book more complete.

Over all a very good monograph as a quick reference to plate problems for both practicing engineers and researchers.

2 of 2 people found the following review helpful.
Excellent Text & Reference Book
By Ranrunr
A most comprehensive book (text and reference) dealing with all aspects of plate analysis that can be used to solve practical plate problems in civil, structural, architectural, mechanical, aerospace, marine and mining engineering. Easy to read with many easy to follow examples. Math knowledge is relatively modest, only a familiarity with algebra, calculus & matrix operations is required. Every solution and technique presented is critically evaluated for efficiency and accuracy and compared to other methods. The handy accompanying CD has 170 plate formulas and a finite element model for static and dynamic analysis of moderately large plate problems. This is a must for your reference library. Take advantage of Dr Szilard's vast knowledge and wonderful writing style. This book should be considered for using as a primary text for college engineering classes.

1 of 1 people found the following review helpful.
Theories and Applications of Plate Analysis: Classical Numerical and Engineering Methods
By RWS
Excellent for every person involved with analysis, applications and/or theory of plates - not necessary for structural in civil , also applied to frame on off road equipment.
Extremely well written. RECOMMENDED!
Theories and Applications of Plate Analysis: Classical Numerical and Engineering Methods

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This book explores U.S.-China relations, the most important bilateral relationship in the world, under the leadership of President Barack Obama. Obama took office just as China’s rise to global power accelerated; his decisions set the stage for a new era in U.S.-China relations . In Part I, the book outlines Barack Obama’s own personal worldview and the backgrounds of the advisors that made up his China team, including Hillary Clinton, Robert Gates, John Kerry, and Susan Rice. Part II chronologically details the major events in U.S.-China relations from 2009 to 2014, including such high-profile cases as Obama’s first China visit, the ’Pivot to Asia’, the story of blind lawyer Cheng Guangcheng, Xi Jinping’s rise to power, and Edward Snowden’s revelations on U.S. cyberespionage. Part III switches back to a topical organization, addressing Sino-U.S. relations and interactions with regards to various issues: economics, military relations, climate change, human rights, and multilateral cooperation in regional and international organizations such as the APEC, G20 and the United Nations. Finally, the book ends with timely suggestions for how to improve the U.S.-China relationship and ensure a peaceful future.

• Sales Rank: #7196685 in Books
• Published on: 2015-07-21
• Original language: English
• Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.65 pounds
• Binding: Hardcover
• 330 pages

Review
'As objective and detailed an account as we will ever have of the Obama administration's conduct of Sino-American relations and the events, trends, and issues now pushing the two countries toward rivalry. Perfect for classes on US-China relations.' --Ambassador Chas W. Freeman, Jr. (USFS, ret.), former Assistant Secretary of Defense, USA

'China's new leader Xi Jinping says he wants a new pattern of great power relations with the United States. Today, as Dr Wang assesses, this relationship is 'somewhere between deterrence and reassurance'. His comprehensive, detailed and well-documented study puts in context the issues that must form a strategy for managing relations with a country that will shape the world of the 21st century.' --Richard H. Solomon, former Assistant Secretary of State for East Asia and the Pacific; former President of the United States Institute of Peace

'In Obama's Challenge to China, Chi Wang argues that President Obama's China policy shifted between 'erring first on the side of deference and then on the side of confrontation', and he also argues that Beijing was not reticent in asserting its own power in this regard. This volume calls for a new, shared vision, one anchored in the construction of inclusive economic and security institutions in Asia rather than the current divisive effort to construct parallel, but competitive, economic and security structures.' --David M. Lampton, Johns Hopkins SAIS, USA

About the Author
Chi Wang worked at the U.S. Library of Congress' Chinese section for 47 years and has been an adjunct professor at Georgetown University since 1969. He served as an advisor on China affairs for several U.S. presidential administrations. Dr. Wang has published many books and articles on U.S.-China relations. He has a Ph.D. in history from Georgetown University.

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0 of 0 people found the following review helpful.
Insightful analysis of the Obama administration's China policy
By Rachel Peniston
This book explores the recent developments in the Sino-U.S. bilateral relationship under the leadership of President Barack Obama, particularly the Obama administration’s campaign to “Pivot to Asia”. Chi Wang argues that the Obama administration has attempted to strike a delicate balance between confrontation and cooperation with China in effort to establish a mutual beneficial relationship for both countries. Throughout his book, Wang analyzes both the successes of the Obama administration’s engagement with the PRC and exposes the challenges that could serve as learning opportunities for the next administration to craft an even more sophisticated and effective China policy.

The book concludes with Wang’s insights into the future of the U.S.-China relationship and advice on how to ensure that it remains positive. Obama’s Challenge to China, the Pivot to Asia provides a comprehensive and accessible look at the current state of the Sino-U.S. relationship and offers a unique perspective on its evolution and future prospects.

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